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Elliptical orbits

Before rebuilding an image typical biography of a wave must be familiar with some of its physical characteristics. A wave has a height, measured from the womb to the crest, a length, and that 'the distance between a crest and the next wave crest, a term that refers to the time' cause two successive crests to pass a certain point.

addition, the water which 'consists of a wave does not move with it on the sea, and every particle of water describe circular or elliptical orbit to the passage of the wave, but returns almost exactly to its original position. And it 's a chance that things are this way,' cause if the immense masses constitute a wave of water that they were moving really the sea, navigation is impossible. The waves have taken their lives and contribution of ships at sea, but where are the most 'destructive' lines of beach around the world. Before the power of these junctures, piers, dikes and other coastal installations are vulnerable as children's toys.

For millennia, the endless waves have beaten coastlines eroding around the world, back here doing a cliff, the 'removing tons of sand from a beach again and yet constructing, in a phenomenon opposite to the destructive a counter or island. Unlike the slow geological changes, involving the sinking of half a continent, the work of the waves agree with the short span of human life and so 'the notch in the coast and' something that everyone can 'see.

(Rachel L. Carson, The sea around us )

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High Seas


The true peace of God begins at any place

that is one thousand miles distant from the earth more 'nearby.
(Joseph Conrad, Writings )

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The book Wind

Of all the natural forces of wind and 'the most' enigmatic. The heat and light sources have seen, the difference between sun and shade and 'obvious ... You can 'pay them much attention or ignoring them. Instead, the wind and 'different. Meanwhile, and 'invisible. Can 'get sneak out of nowhere and tickle behind the neck or it can' thrown lying face down. It has no form of its own, it 'size, they' smell it 'taste it' sound. All his properties' are borrowed, all our experience of it comes to us second hand. The wind and 'elusive, mobile, fugitive, hard to define - and impossible to ignore. Our relationship with it and 'that of a pawn on a chessboard, which has faced a bishop on square confined blacks. On the dark diagonals are directly vulnerable, but also on the white squares that force has an influence through the mediation of the other pieces. We are never free its pressure, which controls our mental aatmosferico time and formed many of our minds and our lives.

(Lyall Watson's book wind )